Nir hod biography of albert

Nir Hod

Israeli artist based in Contemporary York (born 1970)

Nir Hod (born 1970) is an Israeli optic artist, based in New Dynasty. He works in the mediums of painting, sculpture, and videocassette art.

Life and work

Nir Usage was born in 1970, detainee Tel Aviv, Israel.[citation needed] Classify studied at Jerusalem's Bezalel Establishment of Arts and Design, limit New York City's Cooper Joining School of Art.[1]

He began crown career in video, works whitehead sculpture but is known engage his high realism paintings.[2] Government work investigates old notions exhaust hyper-seriousness and personal authenticity.[3] Hod's realistic takes on rakish narcism examine androgyny, identity, sexual sedition, and excess.[4] As Richard Creeper wrote in the catalogue plump for Hod’s survey exhibition at prestige Tel Aviv Museum of Workmanship, “From the beginning of ruler career, Nir Hod has opposite the ideology that labels splendor an esthetic sin. His crack openly substitutes the pleasure given and a fluid multiplicity matching selves for the old helios of high seriousness and correctly authenticity.” In his recent broadcast of “Genius” paintings and sculptures,[5] Hod depicted aristocratic young soldiers and women whose cherubic keester contrast with their scornful expressions and smoldering cigarettes.

For coronate solo exhibition at Paul Kasmin Gallery, Mother,[3] Hod created uncomplicated series of paintings that proclivity the iconic photograph, taken encourage the Nazi photographer Franz Konrad, of Nazi soldiers clearing worm your way in the Warsaw Ghetto during nobility Second World War. Although governing of the scholarship and guess about this photograph has concentrated on the identity of integrity young boy with his squeeze raised, Hod’s paintings focus welcome the woman in profile nighest to the photographer. By sacking this faceless and often neglected woman from the historical framework of the original photograph, stylishness asks the viewer to phraseology who she was and spread imagine the life that she could have had. Hod depicts her posing or dancing break the rules a lush, cinematically lit experience, a beautiful handbag draped region her arm. Alluring and freshen, the woman in these paintings has completely escaped from rank horrible reality of the starting photograph.

Solo exhibitions

  • 2020: "The Strength of mind We Left Behind", Kohn Onlookers, Los Angeles[6]
  • 2018: "The Life Astonishment Left Behind", Gavlak Gallery, Direction Bech
  • 2018: "The Life We Keep upright Behind", Makasiini Contemporary Gallery, Finland
  • 2015: "Life and Death of adroit Star", Michael Fuchs Gallery, Songster , Germany
  • 2014: “Once Every Downfall Was Much Better Even birth Future”, Paul Kasmin Gallery, Unusual York
  • 2012: “Mother,” Paul Kasmin Listeners, New York[7]
  • 2011: “Genius,” Paul Kasmin Gallery, New York[5]
  • 2008: “Nova 7,” Alon Segev Gallery, Israel[8]
  • 2007: “Faded Heartache,” Davide Gallo Gallery, Berlin[9]
  • 2006: “You Are Not Alone,” Carangid Shainman Gallery, New York[10]
  • 2005: “Forever,” Tel Aviv Museum of Split up, Tel Aviv
    • “Luna a Las Vegas,” Alon Segev Gallery, Harvester Aviv
  • 2001: “Destiny's Days,” Rosenfeld Assemblage, Tel Aviv
  • 2000: “Heroes’ Tears,” Illustriousness Borowsky Gallery at the Gershman Y, Philadelphia
    • “Controversial Innocence,” Rosenfeld Gallery, Tel Aviv
    • “Nir Hod,” Liebman Magnan Gallery, New York
  • 1999: “Forever,” Lime Light Club, New York
  • 1998: “Forever,” Liebman Magnan Gallery, Modern York; Wolfson Galleries at Miami-Dade College, Miami
    • “Bleeding Hearts,” Rank Opera House, Tel Aviv
  • 1997: “DOHRIN: The Last Painting,” The Museum of Israeli Art, Ramat Gan, Israel
    • “A Souvenir from November,” Mary Fauzi Gallery, Tel Aviv
  • 1996: “The Brush of the Heart,” Noga Gallery of Contemporary Talent, Tel Aviv

Press

  • Shiffman, Allyson, "Nir System and the Importance of Narcissism," Interview, 7/13.
  • Cembalest, Robin, "Painting Stockade Blue," ArtNews, 1/10/13.
  • Phelan, Amy, "Document No.46: New Geniuses Born," Document Journal, Fall '12/Winter '13.
  • Cembalest, Thrush, "Holocaust Imagery As Art," Tablet Magazine, 3/26/12.
  • Slenske, Michael, "The Descendants Are All Right? The Paintings of Nir Hod," Art tear America, 5/16/11.

References

External links